and she doesn’t want to move to New York,” Martin said. But how? Who could sway, shake, or maybe even shatter Hank’s preconceived proclivities towards sex, drugs, and alcohol? His daughter Becca, of course, played note-perfect by the young and charming Madeleine Martin, whom I spoke with by phone. Would they get back together? What would happen if she found out about Hank’s accidental fling with Karen’s (Natasha McElhone) possible daughter-in-law Mia (Madeline Zima)? Does Marcy’s (Pamela Adlon) opinion hold any sway over Karen’s decision to marry Bill? Where does daughter Becca factor into the couple’s decision-making, if at all? Sure, there were some solid side stories to help develop the supporting players, but none of them were entrusted with the dramatic weight of the show like Hank/Duchovny.įor season two, however, show creator and lead writer Tom Kapinos cleverly decided to progress his central character outside the arena of romantic love. In the show’s inaugural season, Duchovny’s castmates were there mainly as enjoyable necessities to help move Hank’s romantic life forward. His image conveys a wild nature with a kind soul, and somewhere within lays a good parent, as well. He has leapt into the role with both feet (even if his absence is annoyingly evident in the two-disc set’s special features). He is, after all, the star, executive producer, and occasional series director. When one thinks of the hit Showtime show Californication, David Duchovny and his limitless libido spring immediately to mind.
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